CIED 3133: Children's Literature: Historical Fiction

A magnificent narrative inspired by a true survival story that asks universal questions about a young girl's coming of age story, her identity, her passions, and her first loves.
At the Sèvres Children's Home outside Paris, Rachel Cohen has discovered her passion--photography. Although she hasn't heard from her parents in months, she loves the people at her school, adores capturing what she sees in pictures, and tries not to worry too much about Hitler's war. But as France buckles under the Nazi regime, danger closes in, and Rachel must change her name and go into hiding. As Catherine Colin, Rachel Cohen is faced with leaving the Sèvres Home--and the friends she made there--behind. But with her beautiful camera, Catherine possesses an object with the power to remember. For the rest of the war, Catherine bears witness to her own journey, and to the countless heroes whose courage and generosity saved the lives of many, including her own.
Based on the author's mother's own experiences as a hidden child in France during World War II, Catherine's War is one of the most accessible historical graphic novels featuring a powerful girl since Persepolis by Marjane Satrapi--perfect for fans of Markus Zusak's The Book Thief, Anne Frank, or Helen Keller.

Imagine being looked up and down and being valued as less than a chair. Less than an ox. Less than a dress. Maybe about the same as...a lantern. You, an object. An object to sell.
In his gentle yet deeply powerful way, Ashley Bryan goes to the heart of how a slave is given a monetary value by the slave owner, tempering this with the one thing that CAN'T be bought or sold--dreams. Inspired by the actual will of a plantation owner that lists the worth of each and every one of his "workers", Bryan has created collages around that document, and others like it. Through fierce paintings and expansive poetry he imagines and interprets each person's life on the plantation, as well as the life their owner knew nothing about--their dreams and pride in knowing that they were worth far more than an Overseer or Madam ever would guess. Visually epic, and never before done, this stunning picture book is unlike anything you've seen.

Regina Petit's family has always been Umpqua, and living on the Grand Ronde reservation is all ten-year-old Regina has ever known. Her biggest worry is that Sasquatch may actually exist out in the forest. But when the federal government signs a bill into law that says Regina's tribe no longer exists, Regina becomes 'Indian no more' overnight -- even though she was given a number by the Bureau of Indian Affairs that counted her as Indian, even though she lives with her tribe and practices tribal customs, and even though her ancestors were Indian for countless generations. With no good jobs available in Oregon, Regina's father signs the family up for the Indian Relocation program and moves them to Los Angeles. Regina finds a whole new world in her neighborhood on 58th Place. She's never met kids of other races, and they've never met a real Indian. For the first time in her life, Regina comes face to face with the viciousness of racism, personally and toward her new friends. Meanwhile, her father believes that if he works hard, their family will be treated just like white Americans. But it's not that easy. It's 1957 during the Civil Rights Era. The family struggles without their tribal community and land. At least Regina has her grandmother, Chich, and her stories. At least they are all together.
In this moving middle-grade novel drawing upon Umpqua author Charlene Willing McManis's own tribal history, Regina must find out: Who is Regina Petit? Is she Indian? Is she American? And will she and her family ever be okay?

An elderly African American woman, en route to vote, remembers her family's tumultuous voting history in this picture book publishing in time for the fiftieth anniversary of the Voting Rights Act of 1965.
As Lillian, a one-hundred-year-old African American woman, makes a "long haul up a steep hill" to her polling place, she sees more than trees and sky--she sees her family's history. She sees the passage of the Fifteenth Amendment and her great-grandfather voting for the first time. She sees her parents trying to register to vote. And she sees herself marching in a protest from Selma to Montgomery. Veteran bestselling picture-book author Jonah Winter and Coretta Scott King Illustrator Award winner Shane W. Evans vividly recall America's battle for civil rights in this lyrical, poignant account of one woman's fierce determination to make it up the hill and make her voice heard.

Ruth was so excited to take a trip in her family's new car! In the early 1950s, few African Americans could afford to buy cars, so this would be an adventure. But she soon found out that black travelers weren't treated very well in some towns. Many hotels and gas stations refused service to black people. Daddy was upset about something called Jim Crow laws... Finally, a friendly attendant at a gas station showed Ruth's family The Green Book. It listed all of the places that would welcome black travelers. With this guidebook--and the kindness of strangers--Ruth could finally make a safe journey from Chicago to her grandma's house in Alabama.
Ruth's story is fiction, but The Green Book and its role in helping a generation of African American travelers avoid some of the indignities of Jim Crow are historical fact.

Driving through Ohio in an old Pontiac, a young girl's parents stop suddenly when they spot watercress growing wild in a ditch by the side of the road. Grabbing an old paper bag and some rusty scissors, the whole family wades into the muck to collect as much of the muddy, snail covered watercress as they can. At first, she's embarrassed. Why can't her family get food from the grocery store? But when her mother shares a story of her family's time in China, the girl learns to appreciate the fresh food they foraged. Together, they make a new memory of watercress.
Andrea Wang tells a moving autobiographical story of a child of immigrants discovering and connecting with her heritage, illustrated by award winning author and artist Jason Chin, working in an entirely new style, inspired by Chinese painting techniques. An author's note in the back shares Andrea's childhood experience with her parents.